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warning : creating default object from empty value in /home/cymworld/domains/.com/public_html/news/wp-content/plugins/paged-comments/paged-comments.php on line 31 warning : cannot modify header information - headers already sent by (output started at /home/cymworld/domains/.com/public_html/news/wp-content/plugins/paged-comments/paged-comments.php:31) in /home/cymworld/domains/.com/public_html/news/wp-content/plugins/qtranslate/qtranslate_core.php on line 71 home antifoniko melos contact us home art architecture church architecture gardening horticulture masonry carpentry dancing literature metallurgy music ancient music byzantine music church music classic music electronic music folk music metal music new age music pop music rock music opera poetry theatre visual arts animated cartoon cinema engraving painting, drawing photography sculpture family boys girls kids men women young news culture ecology economics fashion interview politics radio religious social sports billiards soccer tv violence other audio book index education exercise puzzle quiz seminar test film health cooking feeding fitness image profile score show text tourism travel video science anthropology archaeology astrology astronomy biology botany zoology chemistry cosmology geography geology agriculture geodesy tectonics history greek history mythology world history jurisprudence maths algebra economy geometry medicine psychology musicology philosophy physics technology theology type action comedy documentary drama fail fantasy funny gothic happy love parody romantic soundtrack thriller cherubic hymn: 1st mode, maqam saba (octoechos) november 15th, 2014 charis trasanis 1 comment » the cherubikon , or cherubic hymn , is the troparion normally sung at the great entrance during the byzantine liturgy . the hymn is sung in the eastern orthodox church and the eastern catholic churches . read more » new-age music: orpheus and eurydice october 12th, 2014 charis trasanis 1 comment » “ orpheus and eurydice ” is a poem by anna morfidou , that was set to music by charis trasanis . the composition has influences from the known greek myth where, according to the plot, orpheus travels to the underworld and by employing the power of his music, softens the hearts of hades and persephone, in order to allow eurydice to return with him back to earth. but all that on one condition: that he should walk in front of her and never look back until they both reach the upper world. the concert “en archin en o eros” took place at the international artistic center and conservatory athenaeum on march 29, 2014. read more » musicology: neobyzantine octoechos october 9th, 2014 francois pier no comments » in a modified form the octoechos is still regarded as the foundation of the tradition of monodic orthodox chant today, known as neobyzantine octoechos . from a phanariot point of view, the re-formulation of the octoechos and its melodic models according to the new method was neither a simplification of the byzantine tradition nor an adaption to western tonality and its method of an heptaphonic solfeggio, just based on one tone system (σύστημα κατὰ ἑπταφωνίαν). read more » musicology: papadic octoechos october 8th, 2014 francois pier 1 comment » papadic octoechos exists until the 18th century. until 1204 neither the hagia sophia nor any other cathedral of the byzantine empire did abandon its habits, and the hagiopolitan eight mode system came into use not earlier than in the mixed rite of constantinople, after the patriarchate and the court had returned from their exile in nikaia in 1261. read more » musicology: hagiopolitan octoechos october 7th, 2014 francois pier 3 comments » the octoechos as a liturgical concept which established an organization of the calendar into eight-week cycles, was the invention of monastic hymnographers at mar saba in palestine and in constantinople. it was formally accepted in the quinisext council of 692, which also aimed to replace the exegetic poetry of the kontakion and other homiletic poetry, as it was sung during the morning service (orthros) of the cathedrals. read more » musicology: octoechos october 6th, 2014 francois pier 1 comment » oktōēchos (here transcribed “octoechos”; greek: ὁ ὀκτώηχος [okˈtóixos]; from ὀκτώ “eight” and ἦχος “sound, mode” called echos; slavonic: осмогласие, osmoglasie from о́смь “eight” and гласъ, glagolitic: ⰳⰾⰰⱄⱏ, “voice, sound”) is the name of the eight-mode system used for the composition of religious chant in byzantine, syrian, coptic, armenian, georgian, latin and slavic churches since the middle ages. in a modified form the octoechos is still regarded as the foundation of the tradition of monodic orthodox chant today. read more » new-age music (greece) october 5th, 2014 charis trasanis no comments » new-age music is defined more by the effect or feeling it produces rather than the instruments used in its creation; it may be electronic , acoustic , or a mixture of both. new-age artists range from solo or ensemble performances using classical-music instruments ranging from the piano, acoustic guitar, flute or harp to electronic musical instruments, or from eastern instruments such as the sitar, tabla, and tamboura. read more » new-age music (index) october 5th, 2014 francois pier 12 comments » new-age music is defined more by the effect or feeling it produces rather than the instruments used in its creation; it may be electronic , acoustic , or a mixture of both. new-age artists range from solo or ensemble performances using classical-music instruments ranging from the piano, acoustic guitar, flute or harp to electronic musical instruments, or from eastern instruments such as the sitar, tabla, and tamboura. read more » profile: daniel of tyrnavos october 4th, 2014 charis trasanis no comments » daniel was from tyrnavos in thessaly. his birth must have occurred in the first decade of the 18th century. it remains, for the time being, unclear how he moved from tyrnavos to constantinople. in constantinople, daniel studied with cantor panagiotes haladzoglou († 1748). daniel served the great church of christ as a domestikos (the older known mention is from 1734), a lampadarios (older known mention in 1740) and a protopsaltes (since 1770, when he succeeded john from trebizond). in the codex xeropotamou 318 (an autograph by archdeacon nikephoros kantouniares from chios at the beginning of the 19th century), where daniel is mentioned more periphrastically: daniel protopsaltes of the great church, student of panagiotes haladzoglou, in the 17th century the only one with profound knowledge of music and the only one who excelled at the composite lessons. the contact of daniel with zakharias khanendeh created an interesting “musical interaction”. read more » hymn to the thrice-holy: 1st mode (octoechos) january 10th, 2014 charis trasanis 1 comment » when the trisagion is sung during the divine liturgy of the byzantine rite, before the prokeimenon of the gospel that precedes the epistle reading, it is normally sung three times to one of many melodies composed for it. this is followed by singing glory… now…, the second half of the trisagion once, and finally read more » « older entries περιηγητής (navigator) click to navigate english greek click to view τελευταία άρθρα (last posts) cherubic hymn: 1st mode, maqam saba (octoechos) new-age music: orpheus and eurydice musicology: neobyzantine octoechos musicology: papadic octoechos musicology: hagiopolitan octoechos musicology: octoechos new-age music (greece) new-age music (index) profile: daniel of tyrnavos hymn to the thrice-holy: 1st mode (octoechos) ετικέτες (tags) art audio byzantine church cinema classical comedy education family film funny geography greece hellas history index kids lyrics music profile science song video visual arts young ήχος αστεία βίντεο βυζαντινή γεωγραφία εικαστικά εκπαίδευση επιστήμη ιστορία κινηματογράφος κλασσική κωμωδία μουσική νεολαία οικογένεια προφίλ στίχοι τέχνη ταινία τραγούδι ημερολ

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Whois Information

Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Domain Name: CYMVOLON.COM
Registry Domain ID: 1660134968_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.papaki.gr
Registrar URL: http://www.papaki.gr
Updated Date: 2017-06-06T07:40:13Z
Creation Date: 2011-06-06T13:38:55Z
Registry Expiry Date: 2018-06-06T13:38:55Z
Registrar: Papaki Ltd
Registrar IANA ID: 1727
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: +30 211-800-2275
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Domain Status: clientUpdateProhibited https://icann.org/epp#clientUpdateProhibited
Name Server: NS3.HELLASHOST.INFO
Name Server: NS4.HELLASHOST.INFO
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2017-09-14T21:57:07Z <<<

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Registrars.

  REGISTRAR Papaki Ltd

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =cymvolon.com

  PORT 43

  TYPE domain

DOMAIN

  NAME cymvolon.com

  CHANGED 2017-06-06

  CREATED 2011-06-06

STATUS
clientTransferProhibited https://icann.org/epp#clientTransferProhibited
clientUpdateProhibited https://icann.org/epp#clientUpdateProhibited

NSERVER

  NS3.HELLASHOST.INFO 77.235.50.48

  NS4.HELLASHOST.INFO 77.235.50.48

  REGISTERED yes

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